“The whole thing looks like it was shot on a first-gen iPad”
I hate “American Fiction.”
It should be easy enough to look past the trepanning of Percival Everett’s Erasure into a bowdlerized, palatable awards season entertainment. Sure, writer-director Cord Jefferson stripped out the novel’s abortion rights subplot just before an election year. Yes, he rewrote Everett’s unsentimental plot beats into…
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